The Library

page by page, remembering my father through his books

From the Sentimental Bloke, by C.J.  Dennis (Angust & Robertson, 1916).

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INTRO

’Er name’s Doreen … Well, spare me bloomin’ days!

You could ’a’ knocked me down wiv ’arf a brick!

Yes, me, that kids meself I know their ways,

An’ ‘as a name fer smoogin’ in our click!

I jist lines up an’ tips the saucy wink.

But strike! The way she piled on dawg! Yeh’d think

A bloke wus givin’ back-chat to the Queen. …

Er name’s Doreen.

I seen ’er in the market first uv all,

Inspectin’ brums at Steeny Isaacs’ stall.

I backs me barrier in—the same ole way—

An sez, “Wot O! It’s been a bonzer day.

’Ow is it fer a walk?” … Oh, ’oly wars!

The sort o’ look she gimme! Jest becors

I tried to chat ’er, like yeh’d make a start

Wiv any tart.

THE STROR ’AT COOT

Ar, wimmin! Wot a blinded fool I’ve been!

I arsts meself, wot else could I ixpeck?

I done me block complete on this Doreen,

An’ now me ’eart is broke, me life’s a wreck!

The dreams I dreamed, the dilly thorts I thunk

Is up the pole, an’ joy ’as done a bunk.

Wimmin! O strike! I orter known the game!

Their tricks is crook, their arts is all dead snide.

The ’ole world over tarts is all the same; 

All soft an’ smilin’ wiv no ’eart inside.

But she fair doped me wive ’er winnin’ ways,

Then crooled me pitch fer all me mortal days.

They’re all the same! A man ’as got to be

Stric’ master if ’e wants to snare ’em sure.

’E ’as to take a stand an’ let ’em see

That triflin’ is a thing ’e won’t indure.

’E wants to show ’em that ’e ’olds command,

So they will smooge an’ feed out of ’is and.

HITCHED

“An’—wilt—yeh—take—this—woman—fer—to—be—

Yer—weddid—wife?” … O, strike me! Will I wot?

Take ’er? Doreen? ’E stan’s there arstin’ me!

As if ’he thort per’aps I’d rather not!

Take ’er? ’E seemed to think ’er kind wus got

Like cigarette-cards, fer the arstin’. Still,

I does me stunt in this ’ere hitchin’ rot,

An’ speaks me piece: “Righto!” I sez, “I will.”

“I will,” I sez. An’ tho’ a joyful shout

Come from me burstin’ ’eart—I know it did—

Me voice got sort o’ mangled comin’ out

An’ makes me whisper like a frightened kid.

“I will,” I squeaks. An’ I’d ’a’ give a quid

To ’ad it on the quite, wivout this fuss,

An’ orl the starin’ crowd that Mar ’ad bid

To see this solim hitchin’ up uv us.

THE KID

My son an’ bloomin’ ’eir … Ours! ’Ers an’ mine!

The finest kid in—Aw, the sun don’t shine—

Ther’ ain’t no joy fer me beneath the blue

Unless I’m gazin’ lovin’ at them two.

A little while ago it was jist “me”—

A lonely, longin’ streak o’ misery.

An’ then ’twas “ ’er an’ me”—Doreen, my wife!

An’ now it’s “ ’im an’ us”—sich is life.

I think we ort to make ’im somethin’ great—

A bookie, or a champeen ’eavy-weight:

Some callin’ that’ll give ’im room to spread.

A fool could see ’e’s got a clever ’ead.

THE MOOCH O’ LIFE

This ev’nin’ I was sittin’ wiv Doreen,

Peaceful an’ ’appy wiv the day’s work done,

Watchin’, be’ind the orchard’s bonzer green,

The flamin’ wonder uv the settin’ sun.

Livin’ an’ lovin’; learnin’ to fergive

The deeds an’ words of some un’happy bloke

Who’s missed the bus—so ’ave I come to live,

An’ take the ’ole mad world as ’arf a joke.

Sittin’ at ev’nin’ in this sunset-land,

Wiv ’Er in all the World to ’old me ’and,

A son, to bear me name when I am gone. …

Livin’ an’ lovin’—so life mooches on.

* Extracted from The Sentimental Bloke. Illustrations by Hal Gye.

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From the second volume of the picture album, Treasures of the Sea. Republished in Japanese Graphic Art, by Lubor Hajek (Galley Press, 1976).

1. ‘The Fish Iboze, Wakasagi, and Kohada’, by Katsuma Ryusui, an 18th century town official, seal engraver and haiku poet. 

2. ‘The Hour of the Serpent’, by Kitagawa Utamaro, who first started to publish his work in 1775. Many of his illustrations are accompanied by kyoka poems. Some mention insects, most talk about love. The ‘hour of the serpent’ refers to the Chinese Zodiac and falls between nine and 11 o’clock in the morning. In this image, the courtesan has just bathed. An ‘untidy’ servant passes her tea.

3. ‘The Lovers’, by Utamaro. Is she having a good time?

4. ‘The Crystal River of Hagi’, by the renowned Suzuki Harunobu. “The reflection of the moon on the water in the beautiful province of Omi illustrates the poem composed in the 12th century by Minamoto Toshiyori”: 

Tomorrow I’ll come again/Said the moon and went to sleep/Into the crystal waves/Of the Noji river flowing/Along the blossoming hagi